From C&V Chelsea & Violet, this dress features:Plaid printMock neckLong sleevesFit and flare silhouettePullover stylingNylon/rayon/polyesterMachine wash/line dryImported.

Issey Miyake Fall 2025: A Play on Ambiguity

Philippe Model Paris Nice leopard-print Sneakers White

From Lauren Ralph Lauren, this sweater features:Lightweight knit fabricationCrew neckline with ribbed detailingShort sleeves with ribbed cuffsNautical-inspired belting printRibbed hemlinePullover constructionApprox. 21.5#double; lengthCotton/modalHand washImported.

TWINSET Kids ruffled washed denim shorts Highlights light blue cotton blend washed denim ruffled detailing rear elasticated waistband button fly fastening two rounded pockets to the sides above-knee length Composition Outer: Cotton 73%, Polyester 25%, Elastane 2% Lining: Cotton 80% Polyester 20% The composition information is subject to the actual product. The product composition details of the spliced material will be split and displayed. Washing instructions Machine Wash The washing method is subject to the commercial washing standard Product IDs FARFETCH ID: 20026257 Brand style ID: 231GJ209H

“This season I’m trying something new and different,” said Satoshi Kondo. “As a designer, I have always been drawn to what’s ambiguous, vague — not really defined.” That can lead to new perspectives. So the starting point of this season’s Issey Miyake collection was cryptic. Kondo and the design team began with the exercise of integrating seemingly contrasting binaries, such as abstraction and concrete or a garment and a sculpture. “That’s something that you wouldn’t normally connect,” he explained. “All those pairs are the seeds for the collection to grow. By exploring the space in between all those binaries, or those pairs, the intention is to shed some light on that ambiguity and make the audience aware of what is abstract, what is concrete, and to make them rethink what a piece of garment is. Is this sculpture? Is this clothing?” It can actually be both, as the show’s opening attested. It was a performance of one-minute sculptures by Austrian artist Erwin Wurm, whom Kondo admires for his ability to atypically frame or present ordinary objects, causing them to shape-shift. People donned garments that then were worn as sculpture. You May Also Like The ordinary became extraordinary. And it was clear fashion can be fun in this collection dubbed “[N]either [N]or,” which plays not only on words but with volumes (a jacket might have oversize shoulders and a cinched waist), asymmetry (an off-kilter collar) and trompe-l’oeil (is it a shirt, or a bag?). The first two opening looks came with prints on a white background of the third look, a sculptural red, seamless dress combining different knit structures. For the final series of garments, Kondo blended wool and alpaca yarn with thermosplastic synthetic fibers that were then heat-pressed to crispy, slightly shiny effect. From this, the designer crafted colorful garments, such as the green-and-white striped short dress with a matching wafting jacket with a hood.  And between those sections was a trove of bold, versatile fashions.

Artículo actual：http://ho5rt.9bvjk.com/20250312_45475.html

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